Laurence Equilbey is also rooting for Louise Farrenc

Last year I came across the music of Louise Farrenc. To say that I was impressed is an understatement. As with all discoveries, I enjoyed this gem with the excitement of an explorer that runs into a treasure. Reading about her wonderful life nourished my initial admiration: amongst 19th century male dominated France, Louise Farrec was able to stand out thanks to her talent, boldness and effort. In more than one way, she was a contrarian. She decided to write symphonies, opposing the current trend in France at the time of writing operas or operettas. And those symphonies were decidedly closer to the music of that “enemy” of a nation called Germany. Farrenc’s music is currently having a great moment. Her work is being programmed by the most renowned ensembles and also being recorded by the most prestigious labels. Critics have also been expanding about her life and marvelous music. Everybody seems to be celebrating this unfairly neglected work. One of those champions is Laurence Equilbey, a French conductor that had been better known as an acclaimed director of choral ensembles. Equilbey is also the founder and conductor of Insula Orchestra, an ensemble period. With Insula Orchestra, Equilbey has recorded Symphonies No. 1 and 3, for many the greatest piece of music Farrenc ever wrote. What’s really captivating from these recordings, aside from the technical prowess these musicians certainly possess, is the vivacity of this music. There is joy and an irresistible energy amongst these pieces. Very reminiscent of Mendelsohn, Farrenc’s symphonies are delightful in a vigorous yet refined way, which is one of the few French traits of this music. I can only hope that Farrenc’s music becomes more known, recorded and performed. With this type of recordings, that feat does not look so unattainable. In the meantime, I encourage you to delve into her music so you can join this recent and enthusiastic group of fans.