Cécile Chaminade Piano Trios: an exercise in enchantment

“Charming” is an adjective that musicologists have often associated with French music. Composers like Ravel, Debussy and Fauré have been praised by their ability to craft heartwarming melodies with a unique touch of elegance. And when that music has been written for a trio, then that irresistible trait gets enhanced. 

I can’t think of a better sample of that feature than the Trio Parnassus’ recording of Cécile Chaminade’s Piano Trios Op. 11 & 34. It is a collection of lovely tunes and stylized harmonies played with gusto and proficiency.

Despite being the first female composer to be the recipient of France’s Legion d’honneur, Chaminade was an obvious victim of gender prejudices within the Paris’ music scene. Her works for piano were fairly popular in salons, but she didn’t enjoy a well deserved notoriety until now, when both musicians and audiences seem to be celebrating her exquisite pieces.

While Op. 11 shows an endearing naiveté, Op. 34 is eloquent of a remarkable growth -in complexity and emotional depth. Trio Parnassus has gifted us with an intelligent reading that captivates us through a striking first impression, and later with well achieved substance.

French chamber music has been unfairly categorized as esthetically delightful but not bearing a good deal of significance. That judgment is inaccurate because it suggests a superficial approach. Conversely, if you make an effort and pay attention to the intricacies of these works, you will find that it is meaningful and relevant music, indeed.