La vida en un poema escrito en una servilleta. La vida en un Fa sostenido. La vida en una canción reproducida por un iPod. La vida en una nota.
Life on a love poem written on a napkin. Life on a F-sharp. Life on a tune played by an iPod. Life on a note.
domingo, diciembre 11, 2011
Drake: taking care of hip-hop
Artistically speaking, hip-hop has always been an underestimated genre. Commercial success seems to be its main goal, truth be told. Nonetheless there are some hip-hop artists willing to explore new grounds within this type of music. In doing it, some of them have managed to deliver well-crafted music, like Drake. On Take care (2011), his latest album, the Canadian singer/rapper makes a bold choice by writing fresh, interesting and -one might even add- experimental songs with great support from his producer and creative partner Noah “40” Shebib. Its innovative piano-oriented beats act as the foundation on which Drake sings and raps in a bewildering way. While surely also pleasing more conservative hip-hop enthusiasts, Take care is a fine work of art and it proofs that risk taking, along with talent, often pays its rewards. With the aid of artists like Drake, hip-hop can justly reclaim its status as one of the most important genres in the contemporary music scene. This is the video for Marvin’s room
Escritor/Músico. Ha escrito para Revista OJO, Revista Ladosis, El Librero, Afropop Worldwide, Review Broadway y Acidjazzhispano. Ha publicado el libro digital "¿A qué suena Caracas?" y editado un EP titulado "¡épale!". (Le gusta mirar en los iPod's de la gente para saber qué están escuchando. Le gusta ver películas de terror pero no puede ver sangre en la vida real. No le gusta dormir y detesta los domingos. No entiende a la gente que no le gusta el chocolate, Amélie o las papitas de McDonald's. Le gustan los ojos de Audrey Tautou, la voz de Maggie Gyllenhaal y los senos de Katy Perry.)
Writer/Musician. He has written for Revista OJO, Revista Ladosis, El Librero, Afropop Worldwide, Review Broadway and Acidjazzhispano. He published the on-line book "¿A qué suena Caracas?" and edited an EP called "¡épale!" (He likes to stare at people's iPods to know what they're listening to. He likes to watch scary movies but can't see blood in real life. He doesn't like to sleep and he hates sundays. He can't stand people who don't like chocolate, Amélie or McDonald's french fries. He likes Audrey Tautou's eyes, Maggie Gyllenhaal's voice and Katy Perry's breasts.)
1 Comments:
Hola Víctor. Paso por aquí para saludarte y para darte las gracias por tu comentario sobre el pequeño homenaje que le hice a Manfred Eicher.
También quería comentarte que tenemos pendiente una conversa sobre The Jazz Album, de Shostakovich.
Un gran abrazo.
11:50 AM
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